(32) David Crosby - If I Could Only Remember My Name (1971)

"If I Could Only Remember My Name" is the debut solo album by David Crosby, released in February 1971 on Atlantic Records. One of four high-profile albums released by each member of Crosby, Stills, Nash & Young in the wake of their chart-topping Déjà Vu album,
A large grouping of prominent musicians from the era appear on the record, including Nash, Young, Joni Mitchell, members of the Grateful Dead, Jefferson Airplane, and Santana. This ad-hoc ensemble was given the moniker of "The Great Planet Earth Rock and Roll Orchestra" by longtime Crosby associate Paul Kantner;
This album is a one-shot wonder of dreamy but ominous California ambience. The songs range from brief snapshots of inspiration (the angelic chorale-vocal showcase on "Orleans" and the a cappella closer, "I'd Swear There Was Somebody Here") to the full-blown, rambling western epic "Cowboy Movie," and there are absolutely no false notes struck or missteps taken. No one before or since has gotten as much mileage out of a wordless vocal as Crosby does on "Tamalpais High (At About 3)" and "Song With No Words (Tree With No Leaves)," and because the music is so relaxed, each song turns into its own panoramic vista. Those who don't go for trippy Aquarian sentiment, however, may be slightly put off by the obscure, cosmic storytelling of the gorgeous "Laughing" or the ambiguous (but pointed) social questioning of "What Are Their Names," but in actuality it is an incredibly focused album. Even when a song as pretty as "Traction in the Rain" shimmers with its picked guitars and autoharp, the album is coated in a distinct, persistent menace that is impossible to shake. It is a shame that Crosby would continue to descend throughout the remainder of the decade and the beginning of the next into aimless drug addiction, and that he would not issue another solo album until 18 years later. As it is, "If I Could Only Remember My Name" is a shambolic masterpiece, meandering but transcendentally so, full of frayed threads. Not only is it among the finest splinter albums out of the CSNY diaspora, it is one of the defining moments of hungover spirituality from the era.

Track listing

1.  Music Is Love  (David Crosby, Graham Nash, Neil Young)  - 3:16
2.  Cowboy Movie  (Crosby)  - 8:02
3.  Tamalpais High (At About 3)  (Crosby)  - 3:29
4.  Laughing  (Crosby)  - 5:20
5.  What Are Their Names  (Crosby, Garcia, Lesh, Michael Shrieve, Young)  - 4:09
6.  Traction in the Rain  (Crosby)  - 3:40
7.  Song With No Words (Tree With No Leaves)  (Crosby)  - 5:53
8.  Orleans  (traditional)  - 1:56
9.  I'd Swear There Was Somebody Here  (Crosby)  - 1:19

Released:  February 22, 1971
Recorded at:  Wally Heiders, San Francisco, CA
Genre:  Rock
Length:  37:04
Label:  Atlantic
Producer:  David Crosby

Personnel
David Crosby – guitars, vocals
Laura Allan - autoharp, vocal
Jack Casady - bass
David Freiberg - vocal
Jerry Garcia – guitars, pedal steel guitar, vocal
Mickey Hart – drums
Paul Kantner - vocal
Bill Kreutzmann – drums, tambourine
Phil Lesh – bass, vocal
Joni Mitchell - vocals
Graham Nash – guitar, vocals
Gregg Rolie - piano
Michael Shrieve - drums
Grace Slick - vocal
Neil Young – guitars, bass, vibraphone, congas, vocals

(31) Jimi Hendrix - The Cry Of Love (1971)

"The Cry of Love" is a posthumous fourth studio album by American musician Jimi Hendrix, released in February 1971. It was the first Hendrix album released after his death and was engineered, mixed and compiled by Eddie Kramer and Mitch Mitchell. The album cover illustration was by Nancy Reiner.
This was the first of the posthumous releases in the Jimi Hendrix catalog and probably the best as it collected most of the studio tracks that were either completed or very near completion before Hendrix died. Some of these tunes, like "Angel" and "Ezy Rider," have become well-known pieces in the Hendrix canon, but they sit alongside lesser-known gems like "Night Bird Flying" and the Dylanesque "My Friend." Cry of Love as an album has been rendered as a footnote, since the Hendrix estate has recompiled, to Hendrix's specifications, First Rays of the New Rising Sun. This (originally) double-album set contains not only the entire "Cry of Love" LP, but the best studio tracks from Rainbow Bridge, War Heroes, and Crash Landing, presented in drastically improved sound.
The song "My Friend" was recorded during the early stages of the Electric Ladyland sessions in 1968. "Belly Button Window", was Jimi's last studio recording with vocals. It was recorded at Electric Lady Studios on August 22, 1970.

Track listing

01.  Freedom  - 3:24
02.  Drifting  - 3:46
03.  Ezy Ryder  - 4:09
04.  Night Bird Flying  - 3:50
05.  My Friend  - 4:40
06.  Straight Ahead  - 4:42
07.  Astro Man  - 3:37
08.  Angel  - 4:25
09.  In From the Storm  - 3:42
10.  Belly Button Window  - 3:34

Released:  February 1971
Recorded at:  the Sound Center, Record Plant Studios and Electric Lady Studios in New York City, New York
Genre:  Psychedelic Rock
Length:  39:48
Label:  Polydor
Producer:  Jimi Hendrix, Eddie Kramer, Mitch Mitchell
All songs written and composed by:  Jimi Hendrix

Personnel
Jimi Hendrix – lead vocals, guitars, backing vocals
Billy Cox – bass
Mitch Mitchell – drums
Juma Sultan – percussion
Buddy Miles – drums
Noel Redding – bass
The Ghetto Fighters – backing vocals
Emeretta Marks – backing vocals
Steve Winwood – backing vocals
Chris Wood – backing vocals
Buzzy Linhart – vibraphone
Billy Armstrong – percussion
Kenny Pine – twelve-string guitar
Jimmy Mayes – drums
Stephen Stills – piano
Paul Caruso – harmonica

(30) Crosby, Stills, Nash & Young – Deja Vu (1970)

Déjà Vu is the first album by Crosby, Stills, Nash & Young, and the second by the trio configuration of Crosby, Stills, and Nash. It was released in March of 1970 by Atlantic Records. It topped the pop album chart for one week and generated four singles: “Teach Your Children,” “Our House,” “Woodstock” and “Carry On”. Déjà Vu was greatly anticipated after the popularity of the first CSN album and the addition of Young to the group. Stills estimates that the album took around 800 hours of studio time to record; this figure may be exaggerated, even though the individual tracks display meticulous attention to detail. The songs, except for “Woodstock”, were recorded as individual sessions by each member, with each contributing whatever was needed that could be agreed upon. Young does not appear on all of the tracks, and drummer Dallas Taylor and bassist Greg Reeves are credited on the cover with their names in slightly smaller typeface. Jerry Garcia plays pedal steel on “Teach Your Children” and John Sebastian plays mouth-harp on the title track. The popularity of the album contributed to the success of the four albums released by each of the members in the wake of Déjà Vu: Neil Young’s After the Gold Rush, Stephen Stills’ self-titled solo debut, David Crosby’s If I Could Only Remember My Name, and Graham Nash’s Songs for Beginners. In 2003, the album was ranked number 148 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

Track listing

01.  Carry On  (Stephen Stills)  - 4:26
02.  Teach Your Children  (Nash)  - 2:53
03.  Almost Cut My Hair  (Crosby)  - 4:31
04.  Helpless  (Young)  - 3:33
05.  Woodstock  (Joni Mitchell)  - 3:54
06.  Déjà Vu  (Crosby)  - 4:12
07.  Our House  (Nash)  - 2:59
08.  4 + 20  (Stills)  - 2:04
09.  Country Girl:  (Young)  - 5:11
       (a) Whiskey Boot Hill/
       (b) Down, Down, Down/
       (c) Country Girl (I Think You're Pretty)
10.  Everybody I Love You  (Stills, Young)  - 2:21

Released:  March 11, 1970
Recorded at:  Wally Heider's Studio C, San Francisco and Wally Heider's Studio III, Los Angeles
Genre:  Folk Rock, Country Rock
Length:  36:24
Label:  Atlantic
Producer:  Crosby, Stills, Nash & Young
Engineer:  Bill Halverson

Personnel
David Crosby - rhythm guitar, vocals
Stephen Stills - guitar, bass guitar, keyboards, vocals
Graham Nash - rhythm guitar, keyboards, vocals
Neil Young - guitar, keyboards, harmonica, vocals
Dallas Taylor - drums, percussion
Greg Reeves - bass
Jerry Garcia - pedal steel guitar
John Sebastian - harmonica

(29) Gino Vannelli - Powerful People (1974)

"Powerful People" is the title of the second studio album of Italian-Canadian singer Gino Vannelli. The album was released in 1974, and was produced by Gino and his brother Joe Vannelli.
The album is characterized by Joe Vannelli's first experiments with synthesizers.
The music and singing are pleasant enough on this Montrealer's second outing.  The funky "People Gotta Move" was Vannelli's first hit in the United States, when disco music was gaining popularity. And you just know from the lyrics that while you are having a good time grooving to the music that Gino also wants you to think a little bit too. The ballads "lady" and "jojo" are two favoirtes. They showcase Gino's honeyed, crystal clear, beautiful voice (the instrument that I think he plays the best). You feel as if the songs are really personal. I imangined he was singing "lady" just for me (as did, no doubt, a million other women), and I wondered who "jojo" was, if he was really the child of a family member or friend. The last track, "Poor Happy Jimmy", is a tribute to American singer Jim Croce, who died in an airplane accident a year earlier.
"Powerful People" gives listeners a hint that in addition to being a talented singer, musician, and lyricist, Gino is also a superb arranger and orchestrator. The songs on the album that most clearly demonstrate that are, "son of a new york gun", "jack miraculous", and "powerful people".

Tracklist

1.  People Gotta Move  (Gino Vannelli)  - 3:21
2.  Lady  (Gino Vannelli)  - 3:43
3.  Son of a New York Gun  (Gino Vannelli)  - 3:23
4.  Jack Miraculous  (Gino Vannelli)  - 2:42
5.  Jo Jo  (Gino Vannelli)  - 3:40
6.  Powerful People  (Gino Vannelli)  - 6:12
7.  Felicia  (Gino Vannelli)  - 3:04
8.  The Work Verse  (Gino Vannelli)  - 2:54
9.  Poor Happy Jimmy  (Gino Vannelli)  - 3:49

Released:  1974
Label:  A&M
Genre:  Soft Rock, Jazz, Funk
Length:  32:48
Producer:  Gino Vannelli, Joe Vannelli
Arrangements by:  Joe Vannelli

Personnel:
Gino Vannelli - vocals
Joe Vannelli - electric piano, synthesizer
Richard Baker - organ, synthesizer
Graham Lear - drums
Tony Golia - bongos, congas
John Mandel - percussion
Lani Hall - background vocals

(28) Nazareth - Close Enough For Rock 'N' Roll (1976)

"Close Enough For Rock 'N' Roll" was the seventh studio album by the Scottish rock band Nazareth, released in 1976. The album title refers to a saying among guitar players: it doesn't matter if your guitar is fully in tune, as long as its "close enough for rock n' roll".
"Telegram" seriously sounds like a major influence to the upcoming 80's glam metal scene. The one thing that immediately separates it from your typical metal tune is the build-up in great lyrics and bass guitar. "F.M station soundin' good, and gettin' better every mile". That's a great line. Too bad radio stinks these days, har har.
"Homesick Again" is most noticeable for that fantastic verse melody. "Vancouver Shakedown" has a really good bluesy feel to it, and what enhances the experience are, again, the catchy and exciting vocal melody. "Carry Out Feelings" is a nice pop song with a chorus.
Anyway, with the mid 70's approaching, the sound of Nazareth has begun to change, but only slightly. The great songwriting has remained, the distinctive voice of the lead singer is still firmly intact.

Tracklist

1.  Telegram:  (Agnew, Charlton, McCafferty, Sweet, Roger McGuinn, Chris Hillman  - 7:54
     Part 1 - On Your Way
     Part 2 - So You Wanna Be a Rock 'N' Roll Star
     Part 3 - Sound Check
     Part 4 - Here We Are Again
2.  Vicki  (M.Charlton, D.McCafferty, P.Agnew, D.Sweet)  - 2:24
3.  Homesick Again  (M.Charlton, D.McCafferty, P.Agnew, D.Sweet)  - 4:30
4.  Vancouver Shakedown  (M.Charlton, D.McCafferty, P.Agnew, D.Sweet)  - 4:04
5.  Born Under the Wrong Sign  (M.Charlton, D.McCafferty, P.Agnew, D.Sweet)  - 3:56
6.  Loretta  (M.Charlton, D.McCafferty, P.Agnew, D.Sweet)  - 3:18
7.  Carry out Feelings  (M.Charlton, D.McCafferty, P.Agnew, D.Sweet)  - 3:18
8.  Lift the Lid  (M.Charlton, D.McCafferty, P.Agnew, D.Sweet)  - 3:51
9.  You're the Violin  (Jeff Barry)  - 4:43

Released:  March 1976
Recorded at:  Le Studio, Montreal, Canada
Genre:  Hard Rock
Length:  38:12
Label:  Vertigo
Producer:  Manny Charlton
Engineer:  Nick Blagona, John Punter

Personnel
Dan McCafferty - vocals
Pete Agnew - bass guitar, guitar, piano, vocals
Manny Charlton - guitar, producer
Darrell Sweet - percussion, drums

(27) Steve Harley & Cockney Rebel - The Best Years Of Our Lives (1975)

"The Best Years Of Our Lives" is an album by Steve Harley & Cockney Rebel released in March 1975. It was their first album that used Harley's name ahead of the band (the band was previously known simply as Cockney Rebel). The album contains the band's biggest hit, the million selling "Make Me Smile (Come Up and See Me)".
By his third album, Steve Harley had developed a strong grasp of how to combine his artistic ambitions with strongly crafted pop tunes that win the casual listener over to his artsy cause. The result was "The Best Years of Our Lives", the most successful album of his mid-'70s heyday. This album was a big hit in his native England, thanks to the fact that it spawned two major hit singles. The first was "Mr. Raffles," a surreal yet romanticized portrait of a convention-flaunting outlaw. The odd lyrics work thanks to the phenomenal tune backing them up, which contrasts gentle verses built on piano and acoustic guitar with choruses that work in a surprising but slickly integrated reggae beat. The second and even more impressive hit was "Make Me Smile (Come Up and See Me)," a romantic pop tune that pairs Harley's clever wordplay with a clever pop tune that boasts an inventive stop-start arrangement and a lovely flamenco-styled acoustic guitar solo. Although the rest of the songs on the album aren't as strong as these singles ("It Wasn't Me" has an atmospheric synthesizer-dominated soundscape, but lacks any memorable hooks or surprising twists in its arrangement), there are plenty of highlights for the Harley fan. Some of the standouts include "The Mad, Mad Moonlight," a driving rocker with humorous lyrics about a romantic encounter with an unlikely female suitor, and the title track, a touching acoustic ballad that highlights some of Harley's most direct and emotional lyrics. All in all, The Best Years of Our Lives is a fine, slickly crafted album that will delight Steve Harley enthusiasts and will also appeal to fans of glam-oriented 1970s English rock.

Track listing

01.  Introducing the Best Years  - 1:07
02.  The Mad, Mad Moonlight  - 4:30
03.  Mr. Raffles  - 4:33
04.  It Wasn't Me  - 6:02
05.  Panorama  - 5:38
06.  Make Me Smile (Come Up and See Me)  - 4:01
07.  Back to the Farm  - 5:53
08.  49th Parallel  - 3:13
09.  The Best Years of Our Lives  - 5:46
10.  Another Journey (Bonus Track)  - 2:52
11.  Sebastian (Live at Hammersmith Odeon) (Bonus Track)  - 10:54

Released:  March 1975
Recorded, Mixed at:  The EMI Studios, Abbey Road, London and Air Studios
Genre:  Pop, Rock
Label:  EMI
Producer:  Steve Harley, Alan Parsons
All songs written and composed by:  Steve Harley

Personnel
Steve Harley - vocals
Jim Cregan - guitars, backing vocals
George Ford - bass guitar, backing vocals
Duncan Mackay - synthesizer, keyboards, Hammond organ, electric piano, clavinet, elka, grand piano, violin
Stuart Elliott - drums, percussion, marimba
Tina Charles - backing vocals
Martin Jay - backing vocals
Yvonne Keeley - backing vocals
Linda Lewis - backing vocals
Liza Strike - backing vocals

(26) Eric Clapton - There´s One In Every Crowd (1975)

Having stayed out of the recording studio for four years prior to making his comeback album, "461 Ocean Boulevard", Eric Clapton returned to recording only a few months later to make its follow-up, "There's One in Every Crowd". It was the first record where Clapton could catch his breath coming out of a battle with drug addiction. Having become enamored with reggae after riding Bob Marley's "I Shot The Sheriff" to top of the the charts around the world, E.C. chose to record in Kingston, Jamaica. Slowhand successfully dipped his toe into the reggae pool by way of the loping beat of "Don't Blame Me," along with an infectious take on "Swing Low Sweet Chariot." (He even managed to add an impressive Jamaican patois to his vocal style). Elsewhere, Clapton returned to the roots of American music via straight-forward gospel ("We've Been Told Jesus Is Coming Soon)"and blues (Elmore James' "The Sky Is Crying" and Mary McCready's "Singin' The Blues.") Clapton's bypassing of electric guitar for some vastly underrated dobro playing turned his self-penned "Pretty Blue Eyes" and "High" into gems often overlooked in his enormous canon. Features guests Carl Radle and Yvonne Elliman.

Track listing

01.  We've Been Told (Jesus Is Coming Soon)  (Willie Johnson/Traditional)  - 4:28
02.  Swing Low, Sweet Chariot  (Traditional)  - 3:33
03.  Little Rachel  (Jim Byfield)  - 4:06
04.  Don't Blame Me  (Clapton/George Terry)  - 3:35
05.  The Sky Is Crying  (Elmore James)  - 3:58
06.  Singin' the Blues  (Mary McCreary)  - 3:26
07.  Better Make It Through Today  (Clapton)  - 4:07
08.  Pretty Blue Eyes  (Clapton)  - 4:45
09.  High  (Clapton)  - 3:30
10.  Opposites  (Clapton)  - 4:52

Released:  March 1975
Recorded at:  Dynamic Sounds Studio, Kingston, Jamaica and Criteria Recording Studios, Miami, Florida
Genre:  Blues Rock
Length:  40:08
Label:  RSO
Producer:  Tom Dowd
Arranger:  Eric Clapton

Personnel
Eric Clapton - lead vocals, electric and acoustic guitars, dobro
George Terry - electric and acoustic guitars, group vocals
Jamie Oldaker - drums, percussion
Dick Sims - organ, piano, electric piano
Carl Radle - bass guitar, electric guitar
Yvonne Elliman - lead vocals, group vocals
Marcy Levy - group vocals

(25) Lou Reed - Lou Reed Live (1975)

"Lou Reed Live" is a live album by Lou Reed, released in 1975.
It was recorded at the same concert as "Rock 'n' Roll Animal" ; on December 21, 1973, at Howard Stein's Academy of Music in New York.
It features three songs from "Transformer", one song from "The Velvet Underground & Nico" (Reed's former band's debut album) and two songs from "Berlin".
Between this album and the remastered "Rock 'n' Roll Animal" the entire show has been released, albeit in a different order than the original concert setlist.
The raw edge of the live recording is superb with Vicious, Satelitte of Love and Walk on the Wild Side real stand outs. Favourite is the treatment of Waiting for the Man. Crank it up ,close your eyes and check out the guitar...just great.
This live album's stereo mix differs from its counterpart in that guitarist Dick Wagner is heard on the left channel, and Steve Hunter is on the right; this arrangement is reversed on "Rock 'n' Roll Animal".

Track listing

1.  Vicious  - 5:55
2.  Satellite of Love  - 6:03
3.  Walk on the Wild Side  - 4:51
4.  I'm Waiting for the Man  - 3:38
5.  Oh, Jim  - 10:40
6.  Sad Song  - 7:32

Released:  March 1975
Recorded:  21 December 1973, Howard Stein's Academy of Music, NYC
Genre:  Glam Rock, Live
Length:  37:49
Label:  RCA Records
Producer:  Steve Katz, Lou Reed

Personnel
Lou Reed – vocals
Pentti "Whitey" Glan – drums, percussion
Steve Hunter – guitars
Prakash John – bass, vocals
Dick Wagner – guitar, vocal
Ray Colcord - keyboards
Rob Hegel — background vocals

(24) Frank Ifield - Joanne (1975)

Frank Ifield is an early Australian-English easy listening and country music singer. He achieved considerable success in the early 1960´s. He was born in England, and moved to Australia in 1948. His father was an inventor and engineer famed for creating the Ifield pump, a device used in fuel systems for jet aircraft. While still in his teens, he became a regular on Bonnington's Bunkhouse, a popular radio program, and dropped out of school to pursue a music career full-time. He appeared on other radio shows as well, finally landing on the traveling Ted Quigg Show, where he stayed for many years.
Ifield signed with EMI Australia in 1953 and released two successful singles, including "There's a Loveknot in My Lariat." Soon he was hosting a weekly television show, Campfire Favourites. By 1959, Ifield was appearing on all three of the Sydney television channels. Later that year, he went to London, and had his first British hit in 1960 with "Lucky Devil." He remained in England and in 1962 became a star with his yodeling classic "I Remember You." The song stayed at the top of the British charts for over two months, and when released in the States it hit number five on the pop charts. His most successful year was 1963, when he scored two British number one hits; one of the chart-toppers, "I'm Confessin' (That I Love You)," a cover of a Rudy Vallée hit, made it to the middle reaches of the U.S. pop charts as well. He continued having pop chart success through 1964, but after that his career in Britain began to wane. He came to Nashville in 1966 and was made an Honorary Tennessean by the state's governor, Frank Clement. Ifield recorded two albums in Nashville and debuted on The Grand Ole Opry, where he was a great success. During 1966-1967, he had several mid-range hits: "Call Her Your Sweetheart," "No One Will Ever Know," and "Tale of Two Cities," recorded for Hickory. With the album "Joanne" from 1975, he again found popularity in Europe during the '70s, particularly in Belgium, Holland, and Luxembourg, and continued to tour and perform at country music festivals and cabarets.

Track listing

01.  Joanne  - 3:06
02.  California Cottonfields  - 2:19
03.  Why Can't People Be People  - 2:50
04.  I Cry My Heart For You  - 3:20
05.  Country Comfort  - 3:07
06.  Say Goodbye To Angelina  - 3:04
07.  Paint The World  - 3:00
08.  Silver Wings  - 3:06
09.  Him Big Top Me The Clown  - 3:03
10.  Don't Forget I Still Love You  - 2:04
11.  My Happiness  - 2:23
12.  Till I Waltz Again With You  - 2:17

Release:  1975
Label:  Blue Jean
Genre:  Country

(23) Emmylou Harris - Pieces Of The Sky (1975)

Emmylou Harris' major-label solo debut quickly establishes the pattern that the vast majority of her subsequent work would follow: "Pieces Of The Sky" is bravely eclectic, impeccably performed, and achingly beautiful. Amid a collection of songs that ranks among her most well-chosen ranging from the catalogs of the Beatles ("For No One") to Boudleaux and Felice Bryant ("Sleepless Nights") and the Louvin Brothers (the hit "If I Could Only Win Your Love") the record's centerpiece is one of Harris' rare original compositions, "Boulder to Birmingham," her stirring tribute to fallen mentor Gram Parsons.  A melding of traditional country's honesty, folk music's heart, and country-rock's punch. Her choice of material followed a similar curve everything from Merle Haggard, Tammy Wynette, and the Louvin Brothers to the Beatles and Shel Silverstein. Former Elvis sidemen James Burton, Glen D. Hardin, and Ron Tutt along with guests like Ricky Skaggs, fiddler Richard Greene, and pianist Bill Payne of Little Feat form a formidable supporting cast. What's most impressive is Harris's versatility she moves from delicate acoustic ballads to buoyant two-steppers to lavish string arrangements without ever sounding overmatched. She even takes a very personal tale like Dolly Parton's wonderful "Coat of Many Colors" and makes it her story. She may have inherited the band and the vision from her late mentor Gram Parsons, but the shimmering soprano voice is all her own.

Track listing

01.  Bluebird Wine  (Rodney Crowell)  - 3:18
02.  Too Far Gone  (Billy Sherrill)  - 4:05
03.  If I Could Only Win Your Love  (Charlie Louvin, Ira Louvin)  - 2:36
04.  Boulder to Birmingham  (Emmylou Harris, Bill Danoff)  - 3:33
05.  Before Believing  (Danny Flowers)  - 4:44
06.  Bottle Let Me Down  (Merle Haggard)  - 3:16
07.  Sleepless Nights  (Felice, Boudleaux Bryant)  - 3:25
08.  Coat of Many Colors  (Dolly Parton)  - 3:42
09.  For No One  (Lennon–McCartney)  - 3:40
10.  Queen of the Silver Dollar  (Shel Silverstein)  - 5:14
11.  Hank and Lefty  (Dallas Frazier, Doodle Owens) (Bonus Track)  - 2:50
12.  California Cottonfields  (Dallas Frazier, Earl Montgomery) (Bonus Track)  - 2:47

Released:  February 1975
Recorded at:  The Enactron Truck, Beverly Hills, California
Genre:  Country
Length:  44:11
Label:  Reprise
Producer:  Brian Ahern

Personnel
Brian Ahern - Acoustic Guitar, High-Strung Guitar, Super 400 Acoustic Guitar, Bass
Bruce Archer - Acoustic Guitar
Duke Bardwell - Bass
Byron Berline - Fiddle, Mandolin
James Burton - Electric Guitar, Gut-String Guitar, Dobro
Mark Cuff - Drums
Rick Cunha - Acoustic Guitar, High-Strung Guitar
Nick DeCaro - String Arrangements
Amos Garrett - Electric Guitar
Richard Greene - Fiddle
Tom Guidera - Bass
Glen D. Hardin - Piano, Electric Piano, String Arrangements
Emmylou Harris - Vocals, Acoustic Guitar
Ben Keith - Pedal Steel
Bernie Leadon - Acoustic Guitar, Bass, Banjo, Dobro, Backing Vocals
Bill Payne - Piano
Herb Pedersen - Acoustic Guitar, 12-String Guitar, Banjo, Backing Vocals
Danny Pendleton - Pedal Steel
Ray Pohlman - Bass
Linda Ronstadt - Backing Vocals
Ricky Skaggs - Fiddle, Viola
Fayssoux Starling - Backing Vocals
Ron Tutt - Drums